A grim biker gang get some real trouble with the local sheriff who fingered female biker in his car. The bikers are messing around,drinking heavily and having sleazy orgies. After massive orgy the gang goes to sheriff's home to have fun with him, his wife and masturbating daughter. "Sleazy Rider" is extremely sleazy and dirty.It's pure 70's sleaze-o-rama gold. The acting is bad,the women are slutty beyond belief and there is tons of full-frontal nudity including some graphic sex, orgies and female masturbation bordering on hard core porn. ... of absolute smut from seedy depths of 70's trash cinema! (IMDB HumanoidOfFlesh)
Mainly Cult, No budget, Exploitation, Giallo, Pinku eiga, Foreign, Off beat, B & Z movies
The Thrill Killers (1964)
The Chooper (1971)
The Chooper (1971)
aka
Blood Shack
Curse Of The Evil Spirit
The Blood Monster
A young woman inherits a ranch that is supposedly haunted by a murderous beast called "The Chooper."
Director: Ray Dennis Steckler (as Wolfgang Schmidt)
Writers: Ron Haydock, Ray Dennis Steckler
Produced by Carolyn Brandt (as Carol Flynn) and Ray Dennis Steckler(uncredited)
Cinematography by Ray Dennis Steckler (as Sven Christian)
Film Editing by Ray Dennis Steckler (as Sven Christian)
Budget: $500 (estimated)
This movie was shot on short ends. A short end is a partial roll of unexposed film stock left over during a motion picture production and kept for later use. The short end may be sold to a film dealer who will resell it to productions who are in a position to use it.
What We Do Is Secret (2007)
What We Do Is Secret (2007)
Rising out of the chaotic, drug fueled punk scene of Los Angeles the Germs while only active for from 1977 to 1980 became a band who transformed the face of punk rock. This film retells the rise and fall of this great band who's impact and influence is still felt today.
Set in the punk rock scene of late 1970s Los Angeles, this story is about the bold, tormented and ultimately used up Darby Crash (Shane West) and a band he led called The Germs. Darby formed the band as an expression of his contempt for the world and everything in it. He started it before he or any of his band mates could play their instruments, simultaneously lashing out at the expectations of the audience while mocking the band's own pretensions at significance. The movie follows the fairly predictable course of showing the bands ignoble beginnings, their rise to success and then the excesses that led them to destruction, but setting the tale within the subculture of late 70s punk rock gives it a slightly different sensibility. Inside that world, audacious and intemperate failure was prized more than triumph, self-abasement became a form of self-glorification and anti-social behavior became normality.
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