Mondo Keyhole (1966)

 Mondo Keyhole (1966) 

Nick Moriarty plays Howard, the owner of Arts Products, a mail-order service that specializes in adults-only films, pictures, art-work and even records like Punishment in Hi-Fi! Always dressed in a stuffy buisness suit with stuffy job and coming home to his depressed junky wife, Howard seems bored with his life so he goes out and rapes women. A man-hating lesbian blackbelt finds out eventually and has her revenge.

(Charles Garbage IMDB)

 David Frank Friedman was an American filmmaker and film producer best known for his B-movies, exploitation film, as well as nudie cutie, sexploitation, gore and other low quality. He never claimed any artistic merit in any of his films.

Friedman first became interested in entertainment after spending part of his childhood in Birmingham and Anniston, Alabama, traveling carnival sites. He worked as a film projectionist in Buffalo before serving in the US Army during the Second World War.

He met exploitation film pioneer Kroger Babb during his army service. This encounter got him interested in films. He then worked as a regional marketing man for Paramount, and sensed the money in independent distributing.

He started his own company in the 1950s, which mainly produced so-called nudie cutie films such as Goldilocks and The Three Bares, shot in nudist colonies, films that were the closest thing to pornography legally available at the time. This trend was followed by the sexploitation and "roughie" genres, depicting simulated sex with a more violent edge, often horror- or crime-related. 

Friedman went on to produce the Herschell Gordon Lewis' 1963 film Blood Feast, an American exploitation film often considered the first "gore" or splatter film. He was also the producer of two of the first Nazi exploitation films, Love Camp 7 (1969) and Ilsa: She-Wolf of the SS (1974), for which he wouldn't use his real name and was credited as Herman Traeger.

With the advent of hardcore porn as a commercial factor in the mid-1970s, Friedman began to slow down his output. His moto was "Sell the sizzle not the steak" and he would not allow actual intercourse to be shown in his films. Still, he was president of the Adult Film Association of America, a trade association for hardcore porn producers.