Skinner (1993)



Skinner (1993) 

"Skinner", directed by the fairly unknown soft-core porn director Ivan Nagy, is one strange…STRANGE film, to say the least. I honestly can't quite label what it is exactly, but it's some sort of odd mixture between horror, revenge-exploitation and an unusual serial-killer portrait. Even stranger than the mix of themes is the choice of cast members. Ted Raimi, who usually only just makes cameo appearances in films produced and/or directed by his more successful brother Sam, takes on the lead role of the introvert psychopath Dennis Skinner, talk show hostess Ricky Lake (also known from John Waters' movies) plays his landlady and former porn star Traci Lords stars as one of Raimi's previous victims out for vengeance. The plot remains vague and unclear regarding Dennis' awkward personality and motivations, but I can only presume he's another fictional character inspired by real-life killer Ed Gein, who also formed the base for successful genre milestones like "Psycho" and "The Texas Chainsaw Massacre". Raimi's character slowly but surely develops into a tormented persona haunted by traumas from his childhood, yet a proper explanation is never given. Another truly peculiar aspect of "Skinner" is the dosing of the blood and gore. The film is overall tame, with a strict emphasis on atmosphere and character drawing, yet suddenly comes a sequence that is almost indescribably gross and sick-spirited. It's like the scene was added after filming all the rest, following negative screening results, or something, yet I didn't notice any differences or interruptions in the editing. Maybe Ivan Nagy preferred spending his entire make-up effects budget on one ultra-sadistic moment? "Skinner" is an obscure (IMDB Coventry)

Traci Lords






Ted Raimi


Ricki Lake




David Warshofsky








The Love Butcher (1975)


The Love Butcher (1975)

Everyone has heard of movie maniacs Michael Myers, Norman Bates and Hannibal Lector, but mention the name Lester in regard to the pantheon of cinematic psychos and the most likely reaction will be looks of utter bewilderment. It's a shame, because Lester deserves better: he's just as bats••t crazy and as unpredictably dangerous as his better known contemporaries, has his own catchphrase (But of course!), and even gets to bed some of his attractive female victims before offing them.

As a child, Lester is responsible for the accidental death of his disabled brother Caleb, for which his mother never forgives him; years later and guilt has resulted in Lester (now played by Erik Stern) adopting his dead sibling's personality as well as his own. When dressed as Caleb, he is a short sighted, balding gardener with a manky hand, but when he becomes Lester, he is a be-wigged ladies man who punishes any female who has treated his 'brother' with contempt.

The film is low budget and exploitative, with any excuse for a spot of bright red gore or cheap titillation, and many scenes verge on the comical, but it still qualifies as a genuinely powerful experience thanks to Stern's intense dual performance, pitiful as Caleb, but completely menacing and merciless as Lester. In the film's most memorable scene, he does away with the film's only sympathetic female character, stripping her naked and repeatedly bashing her with a serrated hoe—it's a real shocker of a moment, a brave move that makes this film all the more impressive, and all the more deserving of recognition.